
With pencils like oars, I wrote a book titled Love in Acapella, a young man became an old man, and he floated
a lake in a small boat and never saw the bottom. He cast his line and watched his bobber float the surface where water bugs made
ripples, and I’ve told you this story many times, how I made it to jail then to prison but rarely made it to shower. I told
you this story, where it goes, how it ends, how the prison guard with her hair tight like a dinner roll shined her flashlight during
night rounds, the clatter of the meal cart, the hope for excitement, and how Dhalgren taught me to write freely. How they clicked
off the lights at night’s end and we listened to howling madness, how we sang Christmas carols out the cracks of our cells and swapped
stories, started conversations with one day and ended them in silence. I told you, after twenty-two years of writing, this was where the writing
began, in a max security cell with a stab resistant pen and notepad barely large enough for poems, how I cobbled
ideas on toilet paper and skin. On November 5th, I gave myself a gift, I was done carrying bags of softening salt, done mopping floods and battling
the broke down washer, done trying to be Vonnegut. I abandoned the draft, pushed it from my mind, and started
over, and when the world spoke, I listened, and said, maybe this Delany knows something about breaking rules and writing
cool red cities. Sometimes you have to break perpendicular to your own patterns to become exactly what you are, and I ate
my first prison meal, infinitely better than jail food, and my cellmate had pink hair, and we marched to the showers, taking
the laughs of the whole unit and swallowed them in solidarity, because in prison your cellmate is all you got, and I listened when he said
he was a woman in a man’s body, and pinned down my tongue so he had space to exist, and we shared stories while he shaved his legs. I wrote
a page for the book and eventually the pages became chapters, and pretty soon I was swimming in words because I’d accepted
I was right where I belonged. Then I was moved to another cell and, eventually, a new prison where they put
me in solitary confinement, and Leandra crossed my mind, from the Paris boulangerie, the way she hoped
for love like a cricket in a large world. These procreating words followed me like a working dog across
ample fields, Jakob the young man fell for a girl in Paris, then returned home not knowing he’d left behind a daughter, and he became
old and sad and spent his time fishing on a lake where he could not see the bottom. And she found him.
Hey, I’m Roman. I’m working on my debut novel, 20xx, a work in magical realism. I write on Substack.
I am so glad you accepted that words are where you belong. Seldom is that so clear as it is with you
Haunting, the way you carve images out of thin air with these pieces. Makes me want to read Dhalgren too. So good, Roman.